Catalog (414)

Large Lidded Imari Bowl and cover decorated in underglazed blue with a scrolling design of leafy camellia, Meiji period. Dimensions: 9 3/4" X 5 1/2".

Japanese Arita vase of ovoid shape decorated in underglaze blue with a continuous design of a small boat on a tranquil lake beside a large rocky outcrop, the base marked Arita kiln, with illegible artist's signature, Taisho period. Height 13"

A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.

A set of 10 Hirado porcelain lidded bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The original wood box, tomobako, inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). One bowl is damaged - 9 sets plus a lid. Late Meiji/Taisho period.

This mark (signature) is illustrated in "Hir...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

Very attractive Japanese Yogi (bed comforter) with a pattern of chrysanthemums and scrolling vine, rice paste resist Katazome stencil dye. The cotton is not as thick as the other yogi. Excellent condition, It is an another "tsukurioki" (it had not been used after it was made - t just sit in the storage as a spare bedding for guests. One of the photo shows where the cotton wadding was taken out before the shipment. The seam at the center of the liner was opened. This will be left open ope...

Daimyo hikeshi shozoku: Samurai firefighter's wool jacket with a silk velvet collar; the crest and design are couched with gold leaf thread (wrapped around silk thread), chest protector and belt. Excellent, clean condition with some holes and damages in velvet collar. Late Edo period (1603-1868), 50" wide x 39" long, Chest protector, 25 1/4" long.

There were many fires during the Edo period (1603-1868). The town of Edo was crowded with houses quickly built after the first Tokugawa Sh...

Beautiful Japanese obi with a woven design of Mt. Fuji above golden clouds. The design has more details than shown in the photos. The length shown in the photos was adjusted to 6'2". The total length of the obi is 14'6" long and 12 1/4" in width. The silver sky (touched up with brown painting) end when the obi is folded in half (7’1”) is followed by the other design in the same silver background. The front side is entirely coated -- which makes this obi more desirable for decorative ...

Silk Japanese obi, tapestry weave with a considerable use of genuine gold (Rinpa style as indicated) and some silver (it is either treated or some other metal). This obi is fukuro obi; the design on one side continues 9 feet from one end, 46 inches in a simpler geometric design before it ends with 18 1/4 inches long complicated design at the other end. The reverse side is a plain black satin silk without any design. Total measurements: 12 1/4" wide x 14'4" long.

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

Antique haidate(Echu style), samurai's thigh guard, with metal pieces and chain on stencil dyed (katazome) cotton. The metalwork is older, probably from the 17th to 18th century. This was probably remade sometimes later in the Meiji period. Dimensions are 21 1/4” wide and 21 3/4" long with ties on both sides.

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5". The...

Large navy blue cotton cloth, 84" x 80 1/2", meticulously hand stitched with old Japanese folk art, sashiko stitches. It is a piece of art that began as a necessity among the farmers. Cotton stitches were added to their clothes that were made out of hemp to give it softness, warmth, and strength. Old jackets, furoshiki wrapping cloths, etc. that were adorned with interesting designs created with Sashiko stitches, are popular collector’s items today.

This cloth is from the early to mid Sho...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

Old Japanese nobori banner, a spectacular wall hanging decor piece, circa 1920-1940. Dyed on thick cotton is the farewell scene of *Kusunoki Masashige with his son, Masatsura at Sakurai station. The scroll handed to his son is a will written for the family before he headed to the last battle.

This type of picturesque banner has been used for the Japanese Boy’s Day since late Edo period. Some are still made today but the quality has changed; most of the new noboris are printed. The whit...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bamboo (take, CHIKU) and plum blossoms (ume, BAI) are put together, they a...

A Chinese informal robe with mandarin collar, decorated using couched silver threads, with auspicious symbols of baskets with flowers, double eternal knots, scattered fruit and flowers and a central floral roundel above stylized waves and water, all on a dark blue silk ground (near black); lighter blue lining. Circa 1900 - 1920.

A Japanese bronze vase with red splashed green patination with gold powders, the squat body with tall everted neck, signed on the base Shiho; signed tomobako. Taisho/early Showa period. Height: 7 1/2"

This is a large Japanese samurai doll, "Kato Kiyomasa” (a warrior from the 16th century warring period) mounted on a horse. The quality is excellent. The dimensions of the box (assembled with wooden pegs): 19 1/4" x 21" x 9 1/4" deep. The condition: There are a couple of very faint hairlines (almost non-visible) between the eyebrows. The surface of this area is smooth in touch. The doll is sitting on an original cushion (very well-made) but a saddle (which would been hidden under his armo...

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

Unique Japanese Uchikake (wedding gown), embroidered in thick light blue silk, the liner is red silk without padding except at the bottom hem. The embroidery and gold couching (some silver) work are all done by hand. The pattern is from ancient Chinese "Shokko nishiki". The colors of silk looks different on different parts of the gown. We laid the gown under the sun light when we took extra photos. The light changed everything. It picked up the gold from gold threads (threads are wrapped in...

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

A section of old Chinese cloth taken from the shoulder section of a seventh rank official's formal court dragon robe, silk backing (some damages on line). Please ask. 18-19th century. 27" x 29 1/2"

A Japanese silver two pronged kanzashi (hair pin) with a cut rock crystal in center within a filigree gilt chrysanthemum, partially gilt body; original wooden box (tomobako) and a label that is written "Gold-silverwork", the retailer's name Kinji Shibuya, Akita city and their two digit phone number. Meiji/Taisho period.

Kanzashi: 6 3/4" long
Box: 9" x 2" x 1"

An elegant ceramic obidome (obi clasp) with silver mount (guaranteed) formed as a leaf, glazed in mottled tones of red and blue, with a hand woven silk cord dyed in the same colors; all contained in original box from Matsumasa, Kyoto. Taisho/early Showa period.

The actual colors are gentle; red in blue/purple tint with a soft blue color. What did not show in the photos are the exact matching colors of the ceramic leaf and silk cord. It is a work of art from the Kyoto area; ceramic possib...

A Japanese tobacco pouch, ojime and pipe case (kiseruzutsu) - a leather pouch with an impressed name/hallmark of a famous sake on the inside of the flap with a gilt bronze clasp of a Chinese man and go (Japanese chess, originally Chinese) table. The ojime is a Bizen type pottery bead modeled as a two headed karako (Chinese boy), lucky god Ebisu or Daikoku. The kiseruzutsu (pipe case) has a hand chiseled textured design on the exterior of an unknown material. Tobacco pouch, 3” x 5”, ki...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau. The characters in the next column translate to Tosa Sakin Shog...

Japanese uchikake (traditional wedding gown in kimono shape), embroidered flying cranes, thick red satin, new condition. 53" (sleeve to sleeve) x 73" (6'1") long

Japanese uchikake (wedding gown in kimono shape) in red and gold, thick Shioze silk, very new condition. 52" (sleeve to sleeve) x 75" long

This is an a beautiful Uchikake (Japanese wedding gown) covered with embroideries on satin. The workmanship shown in this gown is truely amazing. It is in new condition.

The pair of loving birds are Oshi-dori (Mandarin ducks) which are popular subjects relating to weddings. The theme of this gown is probably from Chapter 5, "Lavender" (Waka Murasaki) in "The Tale of Genji". When Genji was traveling the countryside for the first time, he saw a beautiful young girl crying. She was cr...

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years. They were seen in the moonlight raking and sweeping old pine...

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”. The original version of the "Eight Views" is said to be painted by Song Di in the 11th century – the paintings no longer exist today.* The masterpiece that depicted beautiful landscapes around Lake Dongting in Hunan Provinc...

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions. The s...