Catalog: Antiques (248)

Amazingly beautiful antique Japanese obi. This is a very high quality Nishijin obi. The condition is new with basting stitches. Very fine gold threads are woven into the base silk adding a subtle but shinny look to this obi (tan color comes from this). Crystal clear sky to turquoise blue, beautiful earth tone shades of purple to pink and moss green, you must see to believe this beauty...

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles...

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Strikingly beautiful Japanese Nishijin obi. The style of the obi is the most formal and expensive style which is called maru obi; the design covers front and back, from one end to the other end. This is an older obi than it looks. The colors are vibrant yet elegant. The design is for the joyous occasion with cranes, hand drums, flowers, pines and repeated pattern of waves (sei kai ha) in gold.

Measurements:

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

This is a beautiful old Chinese necklace made out of genuine natural corals. The color is salmon pink. Approx. 63.5cm (25 inches) long and weigh 66.3 grams. The measurements of the center coral are: 1.4cm x 1.7cm in diameter. Circa 1930.

Note: In our photos, orange/brown tone had shown up a little too strong and hid a pink tone.

This set of dolls was made for Japanese Boy’s Day. It comes from one of Japanese folklores, Peach Boy, Momotaro. Momo is translated to peach and Taro (ta-ro-o) is a common name for boys. The writing on the label (on the box) is "Wakana Ningyo", the date of purchase is the 10th years of Taisho (1921), 92 years ago! The condition is excellent (old but new condition) - the set appears newer than it actually is in the photos...

Antique Japanese hairpin, Bira Kanzashi with coral, flowers in a basket, 6 1/4" long.

Elegant silver hairpin with gilded bird, possibly a nightingale on the branch of a plum tree. The plum blossoms are made out of small corals. 7 and 7/8” long, Meiji/Taisho.

A set of old hanging ornaments for Buddhist temples or private settings. Decorated with gold leaves (genuine) over the lacquered wood and paper (small ornaments). The color of gold is soft, one or two strings are missing. The last photo shown here is Azabu Dai-Kannon in Chokoku-ji, Tokyo. Approx. length 15 inches long, Meiji period (1868-1912).

Scruffy looking old Japanese warrior doll (musha ningyo). This doll is not so tall (11 1/2" tall) but heavily padded, solid and quite heavy. When we acquired this doll, his hair was already replaced once and most of it was; one side is painted in black. Old glass eyes. The checker design (ichimatsu design) on his clothes is very similar to "Enshu-donsu", one of the famous fabrics used for tea ceremonies in the Edo period. 11 1/2" high x 11" wide x 12" deep. Circa Meiji (1868-1912)...

This is an old mitsuore ningyo (triple jointed doll) from the Meiji period (1868-1912) or possibly earlier (late Edo period). The body of this doll was made with the Ikkanbari method. In this method, layers of washi (Japanese paper) were glued (lacquered) together over a wooden mold to form the shape of the body parts. It was then coated with layers of gofun, the mixture of ground oyster shells and animal glue...

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor...

A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

Many stories were written about the rising power of the samurai class in late 12th century Japan. Kanjincho, the Kabuki adaptation of the Noh play, Ataka, was first performed at the end of the Edo period in 1840. The costume and hat of this doll tell us that this is Togashi, a chief officer at Ataka inspection barrier in the Kabuki play, “Kanjincho”...

Japanese samurai dolls are part of the display used for Boy’s Day on every 5th of May in Japan. The dolls are figures of historical heroes or legendary people to inspire the boys of the family (probably husbands are also included today) with their manliness and hopefully discipline and bravery to go along with them. Samurai’s Yoroi armor, Kabuto helmet with swords, bow with arrows are popular items chosen today for the day.

This is a large, very impressive musha ningyo (warrior doll)...

A pair of Chinese candlesticks of European form decorated with sprays of flowers on a green cloud scroll background, gilt copper mounts. The bases are marked "CHINA". The dimensions are 11 3/4" tall and 4 1/4" in diameter at the base. Circa 1900 - 1920.

Antique uchishiki, Japanese alter cloth, embroidered on silk satin with Chinese theme, “The Seven Sages of the Bamboo Grove”. Probably from late 18th to mid 19th century. 26 3/8" x 25" (67cm x 63 1/2cm).

Condition: This is a beautiful antique textile even with some obvious damage and wear, still solid with a thick cotton backing. The wear is seen particularly on both ends of the design. This quality of needle work is seldom seen.

A Chinese carved cinnabar lacquer vase (converted into a lamp) decorated with four shaped panels of scholars on a mountainous landscape, the background with scrolling floral borders and motifs. The quality of the carving is one of the best from its period (probably late 19th century) and is in excellent condition – some chips and minor hair lines. It was converted into a lamp sometime later. It works perfectly as a lamp, although there is one area taped (with black tape) on the cord...

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree...

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever. The technique of marble dye existed in...

Antique Japanese Fukusa (gift cover), Kinko (Ch. Qin Gao) on a giant carp. According to old Chinese legend, only a mighty carp can climb the upstream of the Yellow River where water plunges a hundred feet, turning into a water fall. When it does happen, a carp can turn into a dragon and is able to ascend to heaven. Based on the legend, a task that seems almost impossible to attain is called ‘passing the Dragon Gate’.

Here in this Japanese fukusa, a well dressed man on the red car...

Antique Japanese Kesa with the design of chrysanthemum, lined with silk, Meiji period. Dimensions: 35 1/4" x 64"

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

A Japanese silk oohi (Buddhist priest's ritual shoulder covering), deep salmon pink brocade silk with an overall design of overlapping fan shaped panels and snowflakes interspersed with daisies and Chinese bell flowers, etc; internal corners with Japanese symbols on a white ground. The ties and liner are green silk. Meiji period. Dimensions - 12 1/2" x 58 1/2".

Beautiful Japanese kesa made from a very high quality silk brocade. The work shown on this kesa is truly amazing. The gold picks up light easily and when it does, it changes the whole kesa to a golden color. The decoration is an auspicious floral design of hosoge (ancient imaginary flowers said to bloom in heaven) and karakusa. It will be impossible to produce a kesa of this quality today because of the steep decline in the quality of materials and workmanship since the time that this kesa w...

A set of Japanese bira-bira kanzashi (hair ornament) with silver and gold plated peonies, foliage, coral beads and dangling chains. Meiji period. This set has been recently cleaned by a jeweler. Kanzashi 8 1/4" long, chains 4" long.

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926). This maiwai is old but has been well maintained, pretty clean condition without any odor. One damaged area (did not go through to the liner) was repaired with very small stitches (photo #9). The photo #10 shows the area before it was repaired with stitches and filled with red color.

Maiwai was the pride of Japanese fisherme...

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

A beautiful Chinese silk rug (6' x 9'); the yellow field bearing a central medallion of a front-facing dragon with four side-facing dragons in each corner, all on a stylized linked flower head ground, the border with stylized lotus, peony and other flowers of good fortune.

This is an old hand woven carpet in great quality. The whitish areas shown in some photos are reflections of light on the silk. The five claws dragons are woven on a brown metal background (gilt copper). The gilt is alm...

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head. (...

A pair of Japanese lacquered iron abumi (stirrups) decorated in gold lacquer on a roiro ground with Ni-o, also known as Kongo Rikishi with delicate scrolling background, the interior in red lacquer. Edo period (probably 17th century). 11 1/8" high, 4 3/4" wide, 12" long.

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

An elaborate Japanese coral, silver, and gilt kanzashi (hair pin) formed as a peony spray with butterfly shaped pendants hanging from silver chains. The body is made out of stronger mixed metal, Meiji/Taisho period. Kanzashi 8" long, chains 3 1/4" long.