Catalog: Antiques: Regional Art: Asian (241)

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

When you tap this Mokugyo (wooden fish) with your hand, it has a deep, hollow sound. It sounds really good. Approx. 9 ½” long x 9 3/4” wide x 8” high (24.5cm long x 25cm wide x 20cm high)

There is no visible image of god in Japan's oldest religion, “Shinto”. People look for the image of gods in their daily surroundings and found the divine spirits to dwell in pine trees. For this reason, pine trees are considered sacred and many wonderful artworks of pine trees were created. Cranes are said to live one thousand years. They are considered auspicious as their distinctive high pitched voices can reach to the heaven...

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

This is an old Japanese silk obi. The style of the obi is called Chu-ya (day and night) obi – it’s made with two different fabrics sewn together. As the name suggests, two sides of the obi can be worn for totally different social functions. Both sides are absolutely beautiful on this obi.

The front side of this obi is subtle but quite tasteful...

A set of old Japanese wooden combs with a cloth comb holder. These are hair styling combs used when most women had the hairdo of today’s geisha. Each comb had a different function which was basically to comb, style and clean the hair. The combs here are all hand cut and it appears that some were added later. All combs are cleaned.

The outside of the folder is covered with a fabric called sarasa...

Large antique furoshiki (Japanese wrapping cloth), aizome Japanese indigo dye decorated in sashiko stitches on four corners. 57 1/4" x 61 1/4"

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

Antique Japanese kanzashi, hair comb, hand carved on “urushi" lacquer (natural lacquer produced only from the threes that grow in certain parts of Asia) and decorated in make with a rooster on a drum surrounded by auspicious flowers. The design comes from an ancient Chinese poem that describes the era that was ruled by Emperor Yao who was known for his wisdom and fairness. The poem reads, “The drum for raising alarms is now covered in deep moss, and the fowls are left undisturbed”...

Japanese hair comb decorated with a pair of love birds, Oshidori (Mandarin ducks) perched on a plum tree, raised gold makie with silver, kirikin and shells. The theme here is auspicious. We counted 33 teeth in 3 cm, amazingly skillful hand work. Excellent condition - actual color loss in the center area of wooden teeth is not so obvious as shown in the photos. Circa, Meiji period (1868-1912) Dimensions: 3 1/4" x 1 1/8"

Hand stitched Japanese short jacket, 36" wide x 33" long.

Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

This is a wonderful set of Japanese bridal kanzashi (hair ornaments) from the Meiji to Taisho period, late 1800s to early 1900s, made out of tortoise shells. We assume that this kanzashi was decorated with the auspicious emblem, a phoenix bird in paulownia tree, with some elements (leaves, flowers and birds) altered to the family of the bride. It has an aura of nobility and power. The family crest on the box is three ivy leaves...

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition. 1 5/8" x 2 3/16" x 3/16" thick (4.3cm x 5.5cm x 0.7cm)

This is one half side of a pair that can be used as an accent piece (necklace, belt, etc)...

Fine old zuishin dolls from the Meiji period (1868-1912), approx. 8” (20.3cm) tall. Zuishin dolls are commonly called daijin (minister) dolls; the elder man on the right (facing) is called "left daijin" and the younger man, right daijin or ya (arrows) daijin. They were created as an addition to the emperor and empress Dairi-bina sometime in the mid 18th century by Kyoto doll makers. Armed with a sword, bow and arrows, they were the toneri (zuishin) from the Heian court (794-1185)...

Japanese silver pipe with brown bamboo body, the mouthpiece with design of engraved bamboo. Length: 7 1/2" Circa 1900, Meiji period.

Japanese silver and copper pipe with a natural bamboo body. Mid Meiji period. 7 7/8" long.

A fine silver kiseru (kizeru) pipe with natural bamboo body, the ends finely engraved with a dragon and tiger in the bamboo grove. The color of the central bamboo section is dark (almost black) with purple tint. The eye (eyes) is inlaid with gold (very small though). Circa 1900. 7 1/4” (18.8cm)

Old kasuri (Japanese ikat) kimono worn on celebratory occasions. The fabric, which is woven with asa(hemp) and dyed in indigo (aizome), is coarse and stiff yet lustrous with an almost transparent look. The pattern is geometrical and pictorial; with flowering wisteria branches, stylized pines, Chinese style clouds, fans and phoenix-like birds. It shows some weakened area from neck to shoulder lines and the lower part of the kimono. There is a seam at 21.5"/22" from the bottom hem...

During the Edo period, the daimyo (Feudal lords) from each region was required to live in Edo (today’s Tokyo) every other year. This type of Kamishimo (official attire for samurai) with small repeated patterns (komon) was like their uniform when they attended official function in the Edo castle or others. Each region had their own design made...

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience. The design is auspicious with cranes, chrysanthemums and sho-chiku-bai (pine, bamboo, plum blossoms), all delicately woven with floss (untwisted) silk yarn...

Antique Chinese fan with two lovely women hand painted on feathers. The body of the fan appear to be made of bone. The colors of the peacock feathers are beautiful.The light reflected in gold (frame), took away the age. All and all, It has more antique look than shown in the photos. We just had the nails (that hold the glass to the wooded frame) checked, and hanging wire and brackets changed. 30 1/4" W x 18 1/4" H x 2 1/4"D

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period. The design on the fabric is the four benevolent animals of Chinese mythology; qulin, drag...

Takeda dolls are modeled after the popular characters from the theater play during the Edo period. They are known for their exaggerated posture and facial expressions of the puppet dolls and kabuki actors on stage. The dolls in this style, with the distinguished Kabuki actor’s makeup called ‘kumadori’ (first created by Danjyuro Ichikawa I, 1660-1704) were made in late Edo to early Meiji period. The dolls might have been sold in large cities such as Osaka and Edo(Tokyo) where the...

This is an impressive set of Emperor and retainer dolls for the Japanese Boy's Day. The decorations for this day include Carps, Yoroi and Kabuto (Samurai's Armor and helmet), swords, arrows and some famous hero and legendary figures from the past. The Emperor doll is 17 inches tall and 15 inches wide (sleeves stretched as shown), the retainer is 11 inches tall. Circa Taisho to early Showa.

Sets of Emperor or Empress with the retainer dolls were particularly popular in the Meiji to Taisho pe...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417). Meiji period (1868 - 1912). To search by the item numbers, just enter the num...

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...