Catalog: Antiques: Regional Art (247)

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...

Beautiful Uchikake (formal gown worn over a kosode kimono by the wealthy women of the Edo period) with a pair of peacocks and peonies, "the flowers of riches and honors". I am not sure how this gown was worn- with a loose belt or no belt, with the hem up or down? The gorgeous gowns that I have seen in photos (Mitsui Collection?) were maternity gowns for the Mitsui princess in the late Edo to Meiji period. Their maternity gowns had a skinny belt attached in the back...

Japanese Takeda Samurai doll from late Edo to early Meiji, 1800s. Takeda dolls were made to model Kabuki actors and puppet dolls from the late Edo period (1603-1868). The doll is possibly Benkei, a faithful retainer to Yoshitsune (Minamoto).

Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era...

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition. 1 5/8" x 2 3/16" x 3/16" thick (4.3cm x 5.5cm x 0.7cm)

This is one half side of a pair that can be used as an accent piece (necklace, belt, etc)...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems...

This is a wonderful set of Japanese bridal kanzashi (hair ornaments) from the Meiji to Taisho period, late 1800s to early 1900s, made out of tortoise shells. We assume that this kanzashi was decorated with the auspicious emblem, a phoenix bird in paulownia tree, with some elements (leaves, flowers and birds) altered to the family of the bride. It has an aura of nobility and power. The family crest on the box is three ivy leaves. There is always a chance that the box may not be original but ...

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper). The hair of empress doll is original but very brittle and almost all det...

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan. The design on this fukusa ...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bamboo (take, CHIKU) and plum blossoms (ume, BAI) are put together, they a...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

A hexagonal Chinese covered dish, decorated in overglaze enamels win the Famille Jaune pallette. The motifs seen in the shaped collar (in the form of a ryui fungus) around the lid are Buddhist precious objects. the flowers are those usually found on such porcelains and include hawthorn (prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the sides would originally have had wire carriers fitted. This piece dates from the 19th century

Dimensions: 11 1/4" width (tip t...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three. Each dish is numbered 1 to 5 i...

Old Japanese Arita vase painted with peonies, plums and chrysanthemum flowers with leaves, tree and rocks in under-glazed blue. Mint condition, circa Meiji period (1868-1912). 9 1/4" in diameter x 12 1/4"H

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.

Please see Trocadero#38274 for details.

The Kanzashi hair accessory has been the main jewelry for Japanese women. This antique comb and hair pin set has a wonderful design of turtles in the bay area on one side and landscape on the other side. It is a classic design in gold makie on tortoiseshell with coral inlay. Hair Pin is 5 3/4" long, comb 3" long and 1" in width. Meiji period (1868-1912).

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like. It is in excellent condition except two chains are missing from one - not notice...

Antique Japanese inro, makie designs of phoenix (ho-o bird) on black lacquer. These large inro are sometimes referred to as sumo wrestler's inro, written "Kahei nuri". The last letter (kao like) is probably "nuri" which means painted or coated with. To roughly quote the Wrangham Index of Inro Artists – according to Soken Kisho, Kahei was a mysterious makie artist that lived in Kyoto during the 18th century. He was prominent enough to have his work called Kahei–nuri, after his name. ...

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown. With the detailed phot...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori. He was joined by Chikamatsu Monzaemon, the genius playwright who was often called "the Shakespeare of Japan."

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Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period.

*The hexagon motif is a typical example of a pattern that was first popular among the courtly associates as a decoration on clothing, furnishings, carriages, and the like, and was later adopted as a formal her...

A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period. The colorful and exotic fabric originated in India (spread to Java, other parts o...

A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s.

This mark (signature) is illustrated in "Hirado: Prince of Porcelains" ...